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Lo Bil

  • Admin
  • Sep 20, 2008
  • 1 min read

Lo Bil, (she/her) is an interdisciplinary artist using language, movement and the energetic flows. Her body-driven experiments aim to generate intuitive “felt” research into concepts and risk-based performance-making. Her performances are site-specific. Her non-repeatable actions involve spontaneous utterance, impulse-based scores, object manipulation, unexpected humour, and inter-relational proposals with audience.


Honours include: Kathy Acker Award (2019), FADO Live Art Award Summerworks (2015) and OAC support for “Procedures: Audience as Knife” at Harbourfront Centre (2017), a creative-research proposal to critique the theatre as a site that initiates a set of perceptive habits. She has facilitated at the Summer Love-In, CCOV/O Vertigo, Sheridan College, UofT and Concordia University. Presenters of her work include Luminato Festival Online (2020), 7a*11d International Festival of Performance Art (Toronto), Out of Site (Chicago), School of Making Thinking (Montreal), Hemispheric Institute’s Encuentro (Mexico), Performance Philosophy (Amsterdam), Northwestern University (Chicago) and Sick Theories and Across Oceans Arts (Toronto).


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choreomarathon@acrossoceans.org 

© 2008 by Maxine Heppner

ACKNOWLEDGEMENT OF TRADITIONAL LANDS

Maxine Heppner and Across Oceans Arts is based in T'karonto Canada, sacred land that has been home to human cultural activity for over 15,000 years. We honour and acknowledge the original caretakers of this land: the Mississaugas of New Credit, the Haudenosaunee Confederacy, the Anishinaabe and the Huron/Wendat, and all peoples and living beings, named and unnamed, born into and newcomers, who live on this earth with respect and grace.

GRATITUDE

The Choreographic Marathon is grateful for the generosity of participating artists, the partnership with Pia Bouman Studios & the support of The City of Toronto through Toronto Arts Council, Canada Council for the Arts, & Across Oceans Angels. 

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